Othoniel Rosa
A story very much in touch with diptyque’s DNA... A story of connections between nature, the arts, the senses and mankind, captured in a new fragrance: Othoniel Rosa. The story of a flower named after the artist Jean-Michel Othoniel, who has collaborated with diptyque to create a limited edition eau de toilette and candle with surprising scents of peppery rose. Both are adorned with Jean-Michel Othoniel’s artwork created for the Louvre, a rose chosen by the artist to become the emblematic flower of the museum.
Othoniel Rosa
A story very much in touch with diptyque’s DNA... A story of connections between nature, the arts, the senses and mankind, captured in a new fragrance: Othoniel Rosa. The story of a flower named after the artist Jean-Michel Othoniel, who has collaborated with diptyque to create a limited edition eau de toilette and candle with surprising scents of peppery rose. Both are adorned with Jean-Michel Othoniel’s artwork created for the Louvre, a rose chosen by the artist to become the emblematic flower of the museum.
OTHONIEL ROSA EAU DE TOILETTE
A tribute to "La Rose du Louvre" , an original created by Jean-Michel Othoniel, diptyque collaborated with the artist on an exclusive eau de toilette honoring the queen of flowers. A peppery rose featuring the spicy and woody scent of vetiver, the limited-edition fragrance also features the artist's work.
OTHONIEL ROSA CANDLE
To mark the occasion of the Parisian exhibition "The Rose of the Louvre" by Jean-Michel Othoniel, diptyque has collaborated with the artist to create an exclusive candle honouring the queen of flowers. It features peppery rose underscored by the pungent, slightly smoky scent of vetiver.
JEAN-MICHEL OTHONIEL
Born in 1964 in Saint-Étienne, France. Lives and works in Paris
With a pronounced taste for metamorphoses, sublimations and transmutations, Jean-Michel Othoniel has a predilection for materials whose properties are reversible, poetic and delicate. He started out in the early 90s, creating works made of wax or sulphur. From 1992 onwards, these were presented by Jan Hoet at the Documenta exhibition in Kassel.
The following year saw a real turning point in his work with the introduction of glass. Working with the finest craftsmen in Murano, he explored the characteristics of this material, which would be his calling card from then on. The delicacy of glass, and the subtlety of its colours, reflect his overarching aim as an artist: to restore a touch of poetry and enchantment to the world.
His current works have taken on an architectural dimension and are very much at home in gardens and historic sites, where they can be found all around the world thanks to both public and private commissions.
The following year saw a real turning point in his work with the introduction of glass. Working with the finest craftsmen in Murano, he explored the characteristics of this material, which would be his calling card from then on. The delicacy of glass, and the subtlety of its colours, reflect his overarching aim as an artist: to restore a touch of poetry and enchantment to the world.
His current works have taken on an architectural dimension and are very much at home in gardens and historic sites, where they can be found all around the world thanks to both public and private commissions.
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